How is the work arranged on this website?
The work is organized into six visual constellations. Rather than fixed categories, they are different ways of noticing recurring relationships across the work. Each constellation brings together images that share particular visual behaviours, even when they were made years apart.
BIOMORPHS
Hybrid biological and anatomical forms that suggest growth, decay, and transformation.
PHANTOMS
Spatial ambiguity creates spectral compositions at the intersection of presence and interference.
FOLLIES
Loosely structured forms that gather, stack, and tip toward disorder.
TRACES
Residues and near-erasures that feel like evidence of passage rather than records of an event.
SIGNAL2NOISE
An unstable balance between figure and ground where forms emerge, overlap, and recede.
FICTIONS
Fragments, masks, and unstable architectures—images that behave like stories without plot.
Why aren't the works arranged chronologically?
The work is organized by visual relationships rather than by date. Images made years apart may appear together because they share structures, rhythms, or ways of behaving. The constellations are intended as ways of looking, not as a timeline of development.
Why do some images disappear and others appear more than once?
Some works belong to a single constellation, while others share visual characteristics with several. As you move through the site, you may encounter the same work in different contexts, where its relationship to neighbouring images changes. The work itself remains the same; only the way of reading it changes.
How are these images made?
I create layered compositions using found objects and images, decorative patterns, urban and domestic detritus, and my own hand-painted marks and gestures. Through a combination of traditional and digital techniques, I repeatedly arrange, layer, photograph, erase, and reconstruct these elements until relationships begin to emerge.
The finished image is not a record of a single moment but the result of many decisions that remain partially visible. Earlier states are often allowed to persist, so traces of previous arrangements continue to influence the final composition.
Can I buy your work?
Yes. I work with Akasha Art Projects in Toronto to produce limited edition archival pigment prints using museum-quality fine art papers. Selected works are also available on Habotai silk and aluminum. Materials are chosen for their longevity, surface quality, and depth of tone.
Please get in touch for information about availability, print sizes, and alternative materials.
Are any artworks unique?
The works shown on this website are offered as limited edition prints. Each edition is clearly defined and documented.
Unique or one-of-a-kind works are not currently shown online but may be available upon request.
Are editions limited?
Yes. Every print is signed and numbered. Edition sizes vary by work and are documented at the time of release. Each print is accompanied by a certificate of authenticity identifying the edition number and other relevant information.
How big are these prints?
Paper prints range from 16 × 16 inches to 30 × 30 inches.
The dimensions shown on each artwork page indicate the largest available print size. Smaller sizes can often be produced on request.
How much do Studio Migalle limited edition prints cost?
Unframed limited edition prints typically range from $150–300 CAD, depending on size, material, and edition. Prices may increase as editions sell.
Please get in touch for current pricing and availability.
Can I see a work before purchasing?
If you’re in the Toronto area, it may be possible to arrange a viewing of selected works by appointment.
Please get in touch to discuss availability.